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Jeff Mellin Saves The World, Part 1ne

by Jeff Mellin

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1.
When I was twenty I thought I had plenty to spare I was sharp I was bright I could stay up all night if I dared Now I’m confused I’ve been bull–whipped and bruised I pull out what is left of my hair You don’t care Just for a minute I thought I could grin it and bear Face the occasion with calm grace and smooth debonair Now to refute check the back of my suit— There’s a boot where there should be a chair You don’t care I know I’ve failed again— I’m immersed in despair Trails I’ve traversed left me worse for the wear When I woke up this morning the sun wasn’t there You don’t care
2.
See her pretty face Her waiting eyes To face a girl like that I’d need the strength of twenty men my size— skin and bones skinny ties I’ve got a lever big enough to move the world, oh can’t you see? Where can I find a love that’s big enough for just one girl and me? Just one girl I’m off kilter I’m off balance like a clown I built a pedestal for her— How will I ever get her down to console me to confound?
3.
Sure it hurts, but I figured it would work this way Up your shirt were dirty tricks that you had yet to play like debts unpaid and lies you’d yet to lay Hey, hey Hey, hey And the band played “Isn’t It Romantic?” You cocked your head like the Titanic just to let me know you’d sunk so low I was shocked (at first) but understand that I can let it go Sure it hurts, but don’t wait for me to die of grief What’s the moral? Bore a hole below a coral reef to find beneath your quarrel’s got no teeth Tee–hee–hee Tee–hee–hee And the branding iron’s in the fireplace so strike your mark upon my pretty face and watch it glow, then sign below I was shocked (at first) but understand that I can let it go You hung in your chair ’till you almost fell backwards Your black hair brushed the floor as those four words came out so slow and stole the show I was shocked (at first) but understand that I can let it go
4.
She got a bag full o’ nuthin’ for no good reason — A tag on her muffin, but I know she’s teasin’, ’cause she showed up just as I was easin’ into that style — cowboy hair an’ a country mile ’lectric record players on the checker’d tile singin’, “Yeah, yeah, yeah! Alright!” She kept her flag half–masted just to draw attention to the trust–fund punks an’ the lust–drunk pensioners When I showed up you coulda cut the tension with my guile— sidelong muttonchops an’ pickerel style stickin’ country music records in the punk–rock pile singin’, “Yeah, yeah, yeah! Alright!” She says, “You look like a million people, You look like a million people You look like a million people… Man, I’ve seen enough of that!”
5.
A good cry’ll drive it out of you like rain’ll drive an earthworm from the ground I’ll pick up where I left off — go down to Wilson Square so I can stand around What’s it gonna take What’s it gonna take What’s it gonna take for me to break through? Oh! For me to break through ...and the attendant from the duty–free shop hands me a handkerchief as I watch you walk through the airport gate in disbelief He says, “This time it’s no fake. You can tell ’cause she didn’t look back.” Still, I drop my ’kerchief like a referee at the half What’s it gonna take What’s it gonna take What’s it gonna take for me to break through? For me to break through Oh! For me to break!

about

A 1-2 punch of Jangle-Pop & Swamp-Folk from the acclaimed Boston songsmith that'll save your world quicker than you can say “Happy Together.” Features members of Charlie Chesterman's Legendary Motorbikes, swamp-noir outfit Slide, Miss Mary & the Oscillators

credits

released January 1, 1999

Jeff Mellin: Vocals & guitars
Andy Pastore: Guitar
Pete Weiss: Pete Weiss
John Clarke: Drums
Joel Mellin: Hammond organ
Suzie Lee: Accordion & backing vocals
The Oscillators: Backing vocals
Mary (Stopas) Saunders: story

Produced by Pete Weiss with Jeff Mellin & Joel Mellin

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Jeff Mellin Philadelphia, Pennsylvania

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